Dora García reflects on the parameters and conventions governing the presentation of art, on the question of time (real and fictional) and on the margins of language and representation. Through her work, García presents reality as multiple and questionable and explores the relationship between the artist, the work, and the public. She acts like a cinema director who orchestrates stories (or simply selects them), unchains a situation, situates us in a scenario or makes us participants in a game, the rules of which are very similar to reality; and for this very fact allow us to question this reality.

Dora García has participated in Yokohama Triennale (2014), Bergen Triennale (2013), dOCUMENTA13 (2012), Biennale di Venezia, Spanish Pavilion (2011), Biennial de São Paulo (2010), the Biennale of Sydney (2008), Skulptur Projekte Münster (2007), and Istanbul Biennial (2003).