Curated to celebrate the launch of our original online archive, the exhibition illustrated current issues in preservation and presentation of 'old' media art.
At the time our online archive project
documented over 20 years of technological
innovation at the service of artists. Focusing on our
groundbreaking festival, Video Positive, the exhibition
re-staged and re-contextualised a selection of work for new audiences. It highlighted the challenges, obstacles and surprises encountered in the
process of creating an online archive and representation of our living
history.
Artworks by David Hall, Judith Goddard, Lynn Hershmann, Lei Cox, Keith Piper, Imogen Stidworthy and Michael Curran, have been re-staged. A new commission by artists Thomson & Craighead, outside Gallery 1 coincided with the exhibition.
The re-production and
re-presentation of some of these pieces will acquaint audiences with
issues stemming from the rapid evolution of technology and the imminent
threat of obsolescence. The artworks on view represent different
case-studies, establishing a dialogue between the artist's original
vision for the piece and the passage of time with its effect on
technology. Each piece will tell its own individual story and the
rationale behind its presentation and preservation. A few works appear
in their original form and medium, but most have undergone processes to
upgrade their hardware and/or software components. Some works are
impossible to re-create and will be present only in documentation form.
A Situation Envisaged: The Rite II (Cultural Eclipse) (1989)
Video installation, Video Positive 1989 commission; Tate Liverpool
by David Hall
The Garden of Earthly Delights (1991)
3 monitor triptych, Video Positive 1991 commission, Bluecoat Gallery
Artists
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