Explore how our relationship with technology has blurred the lines between the real and the virtual; making our everyday lives feel increasingly like science fiction.
Opening in March 2014, Science Fiction: New Death
seeks to provoke the question – have the Sci Fi visions we once imagined
of the future since become a reality? The exhibition presents works of
art that explore these questions and considers how technology has
created new ways of living, fashioning new identities, forms of intimacy
and desire. This has occurred in tandem with the growth of cult-like
communities both online and in physical space, the conceit of social
media, and the hyperrealist architecture of computer screens. Arguably,
our everyday lives have increasingly become a form of science fiction.
The
author China Miéville has produced a new series of texts that have
inspired the narrative of the exhibition. Here, the exhibition is
presented as a deconstructed film set, with the curator acting as
director, the artists as actors, Miéville as scriptwriter and artist
collective The Kazimier as set-designers.
"Visitors can expect a surreal and often disturbing take on a new kind of reality."
Creative Tourist
Inspired by the work of
J.G. Ballard, our story looks to the bleak, man-made landscapes of the
future and asks: What happens when virtual environments become
indistinguishable from reality? Will our global culture allow us to
choose where to live, and who will stop us? What will we do with
knowledge that becomes freely available to all? With social platforms
acting as camera, how will ‘selfies’ develop and what new forms of
narcissism will thrive? What is it that we need to preserve, and what do
we need to change? These questions are explored through intense
visualisations of electronic communication, dystopian domestic
interiors, and re-enactments of historical revolutionary moments.
In
an era where dissidence and revolution continue to capture our
headlines, are the modes of control in the hands of the people or have
we unknowingly pushed them into the hands of an elite group as so many
Sci Fi narratives once foretold?
Accompanying the exhibition will be The Personal Archive, a specially curated selection of clips from science fiction films and television programmes, books and memorabilia alongside homemade science fiction films submitted in response to an international open call we published.
The exhibition experience has been designed by The Kazimier.
"The year’s most thought-provoking exhibition."
SFX
Science Fiction: New Death is curated by Omar Kholeif (writer and curator) and Mike Stubbs (Former Director, FACT).
The Personal Archive is curated by John Dunning with the University of Liverpool’s Science Fiction collections from the University Library’s Special Collections & Archives (Europe’s largest catalogued collection of science fiction material)
Target Orbit (2013)
Single-channel digital animation, 4 mins 54 seconds; Digital prints
by Dario Solman
Homo Sacer (2014)
Custom built software; Sculptural installation; DIY hologram; Audio
by James Bridle
Accomplice (2010 - 2013)
Custom built robotics and software; cameras; plasterboard wall
Tommy-Chat Just E-mailed Me (2006)
HD Video with sound, 7 minutes, 15 seconds; Installation environment
Camera Futura (2012)
Trampoline; camera; custom software and hardware; projection
Facial Weaponization Suite (2011 - ongoing)
Single-channel video with sound, 8 mins; 3 Masks; 5 Photographic prints
by Zach Blas
1 in a Million You (2012 - ongoing)
Website, social media campaign, photographic presentation
Still Life (Betamale) & Main Squeeze (2013)
2x Single-channel HD video with sound; Sculptural installation environment
by Jon Rafman
Artists
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